Friday, April 20, 2018

Morning Madonna


Madonna and Child Nursing. Early Flemish School 16th century

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Thursday, April 19, 2018

Morning Madonna


Vittore Carpaccio (Italian High Renaissance Painter, ca.1450-1525) Madonna and Child 1505

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Wednesday, April 18, 2018

Morning Madonna


Madonna and Child with Angel Musicians, Aragonese school of the mid-15th century

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Tuesday, April 17, 2018

Morning Madonna


Virgin and Child 1475-1500, a painting by Flemish Unknown Masters.

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Monday, April 16, 2018

Morning Madonna

St. Catherine’s Monastery near Mt. Sinai 6C. Around Mary and Jesus are St. Theodor of Amasea, St. George, and 2 angels.

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Sunday, April 15, 2018

Morning Madonna


Bono da Ferrara or Bono Ferrarese (fl 1450-1452) Madonna and Child

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Saturday, April 14, 2018

Morning Madonna

 Madonna and Child enthroned, 1217

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Friday, April 13, 2018

Morning Madonna


Pseudo Pier Francesco Fiorentino Madonna and Child 1460-80 Uffizi

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Thursday, April 12, 2018

Morning Madonna

January Hermansz. van Biljert (Dutch artist, c 1597-1671) Madonna and Child 1635

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Wednesday, April 11, 2018

Painting a Portrait of The Madonna

Derick Baegert (c 1440–1515) Saint Luke Painting the Virgin Mary c 1485

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Tuesday, April 10, 2018

SPRING - Time to Head Outdoors to Spin the Wool & to Fall in Love

Meeting of Saint Margaret and the Prefect Olibrius by Jean Fouquet. 1452 -60 for √Čtienne Chevalier.  A common image in medieval manuscripts is a woman spinning while standing, often the lady is depicted spinning wool amongst sheep.

A textile is a fibrous substance, such as wool, cotton, flax, or silk, that can be spun into yarn & woven or knitted into cloth.  Stone Age peoples wove nets, baskets, mats, & belts out of reeds, grasses, & strips of animal hides - and this eventually led to the creation of fabrics to substitute for the animal skins which often served as human clothing. Ancient textiles were made mostly of linen, cotton, wool, & silk. Spinning & weaving were mentioned in the Bible. 
From Exodus 35:25 Every skilled woman spun with her hands & brought ...... All the women who were skilled in sewing & spinning prepared blue, purple, & scarlet thread, & fine linen cloth... 
From Proverbs 31:19 In her hand she holds the distaff...Her hands are busy spinning thread, her fingers twisting fiber. ... She extends her hands to the spinning staff, & her hands hold the spindle...

As civilizations developed, the people, the fibers, & the different methods tools invented for turning the fibers into cloth traveled to different parts of the world, & many ideas on making textiles were exchanged among various peoples. Spinning is the simple process of drawing out a twisting of a few fibers together into a continuous length, & winding them into a ball or onto a stick. There is archaeological evidence to suggest that spinning was practiced in Europe at least as early as 20,000 years ago. In the early days of spinning, the drawing out & twisting of the fibers was done by hand; later the winding stick itself was modified by the addition of a weight, or whorl, at its lower end (which gave increased momentum). Thus a modified winding stick became the spinning implement, or hand spindle.

Morning Madonna with Musical Angels


Konrad von Soest (German artist, 1394-1422) Madonna and Child with 6 Angels

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Monday, April 9, 2018

SPRING -Time to Head Outdoors to Spin, Weave, & even gather Silkworm Cocoons to create a precious Textile.

Pamphila collecting cocoons of silk worms and spinning silk.  France, N. (Rouen)

A textile is a fibrous substance, such as wool, cotton, flax, or silk, that can be spun into yarn & woven or knitted into cloth.  Stone Age peoples wove nets, baskets, mats, & belts out of reeds, grasses, & strips of animal hides - and this eventually led to the creation of fabrics to substitute for the animal skins which often served as human clothing. Ancient textiles were made mostly of linen, cotton, wool, & silk. Spinning & weaving were mentioned in the Bible. 
From Exodus 35:25 Every skilled woman spun with her hands & brought ...... All the women who were skilled in sewing & spinning prepared blue, purple, & scarlet thread, & fine linen cloth... 
From Proverbs 31:19 In her hand she holds the distaff...Her hands are busy spinning thread, her fingers twisting fiber. ... She extends her hands to the spinning staff, & her hands hold the spindle...

As civilizations developed, the people, the fibers, & the various methods & tools invented for turning the fibers into cloth traveled to different parts of the world & were exchanged among various cultures. Spinning is the simple process of drawing out a twisting of a few fibers together into a continuous length, & winding them into a ball or onto a stick. There is archaeological evidence to suggest that spinning was practiced in Europe at least as early as 20,000 years ago. In the early days of spinning, the drawing out & twisting of the fibers was done by hand; later the winding stick itself was modified by the addition of a weight, or whorl, at its lower end (which gave increased momentum). Thus a modified winding stick became the spinning implement, or hand spindle.

A Spinning Morning Madonna

Unknown Master, Hungarian (active 1420-1430) The Virgin using a drop spindle. The circular device on the right is a yarn swift.

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Sunday, April 8, 2018

17C Portraits - Families Head Outside as Mankind Becomes "the Interpreter of Nature"

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.   As time passed, the Renaissance garden & grounds became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.

With the arrival of Anthony Van Dyck (1599–1641) at the court of Charles I in 1632, British portraiture took a turn toward the baroque that changed the course of British & colonial American painting in the 17-18C. The Elizabethan style had almost been completely replaced in England by the 1670s quickly giving way to a more volumetric style. In the British American colonies, this transition was copied through imported engravings after Peter Lely (1617–1680) & Godfrey Kneller (1648–1723).
Sir Godfrey Kneller (1646–1723) The Harvey Family

Morning Madonna

Unknown Master, Italian (active 1500-1520 in Milan). Virgin and Child with Sts Elizabeth, John and Michael.

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Saturday, April 7, 2018

17C Portraits - Families Head Outside as Mankind Becomes "the Interpreter of Nature"

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.   As time passed, the Renaissance garden & grounds became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.

With the arrival of Anthony Van Dyck (1599–1641) at the court of Charles I in 1632, British portraiture took a turn toward the baroque that changed the course of British & colonial American painting in the 17-18C. The Elizabethan style had almost been completely replaced in England by the 1670s quickly giving way to a more volumetric style. In the British American colonies, this transition was copied through imported engravings after Peter Lely (1617–1680) & Godfrey Kneller (1648–1723).
1695 Self-portrait with family, Michiel van Musscher (1645-1705)  Late 1690s This artist's family portrait, attributed to Michiel van Musscher (1645-1705), is placed in an explosion of garden components - fountains, urns, statuary, a long, formal walk, clipped hedges, & more.  Seems more French than Dutch, & the art is dissimilar to Musscher's other works from the period.

Morning Madonna

Unknown Master, Hungarian (active around 1520). Saint Anne with the Virgin and the Child

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Friday, April 6, 2018

17C Portraits - Families Head Outside as Mankind Becomes "the Interpreter of Nature"

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.   As time passed, the Renaissance garden & grounds became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.

With the arrival of Anthony Van Dyck (1599–1641) at the court of Charles I in 1632, British portraiture took a turn toward the baroque that changed the course of British & colonial American painting in the 17-18C. The Elizabethan style had almost been completely replaced in England by the 1670s quickly giving way to a more volumetric style. In the British American colonies, this transition was copied through imported engravings after Peter Lely (1617–1680) & Godfrey Kneller (1648–1723).
1679 Jan van Kessel (I654-1708)  Portrait of a Family in a Garden

Morning Madonna

Unknown Master, German (active in 1420s in the Lower Rhineland). The Holy Family with Angels

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.